The Greater Periscope Orchestra

The Sheep are on the Beach

 

SWEET WRAPPER, C2.

Blueprinting Studio Opens

 

BROKEN ROBOT, F3.

THE GREATER PERISCOPE ORCHESTRA THE RATIONAL NEWSPAPER 444FM.COM TUESDAY, APRIL 49 CENTS
The GPO Broadcast Centre goes live!
BY SWEET WRAPPER

Mp3 highlight tracks are embedded in the photo at left.

This is the GPO broadcasting live from Radio 90, Radio 90, Radio 90, with The Broken Robot and The Sweet Wrapper, 444fm....do do di do...Finally it happened: the GPO began broadcasting live. For a full French Shift they ran the Celtic Missions with encrypted and de-encrypting Directors Notes mapping out the problem solving dilemmas of this future length cut. In a second French Shift they were joined by people needing therapy consultations and managed to muddle their way through , prescribing cookery lessons, more opera rehearsals and discussions of the differences between Space and Earth. Hope it works.
The funny thing is that this is not so unusual..
BY BROKEN ROBOT
and modes of documentation which reflect our culture contemporary, almost as much as the aural culture we survive within. This modfel of Open Source Conversation has plagued victorian nurse type gallery owning problem seekers from day one. We
should hope that the GPO work covers much ground in selling out conversational models for public consumption through ironically locked in processes. It's a day in the park, as one reproessouer commented, not a trip to the circus we're after. This sentiment holds fast for

many as the watercolours of yestercentury begin to establish themselves as the prohobitionist headboards for a draconian counciling sessionists. The GPO hopes to make wind of this common sentiment and develop more positive reflections on the state of the

market, an exploit model of community values. It seems the troupe are onto something as this type of rhetorical analyis takes common precidence, from what we've found, in other not so verbally constructive languages. As they say in norse, it's a small one eh.
The seriousness of the GPO should not be underestimated as the troupe have developed a intercultural model of performance, installation